The AF-S DX Nikkor 35mm f/1.8G is a relatively inexpensive fast normal prime for Nikon’s DX SLRs. Its large maximum aperture makes it ideal for shooting indoors without flash, and its built-in AF-S motor means it will autofocus on entry-level Nikon SLRs. It offers a winning combination of high image quality, large aperture and low price, and is therefore a lens which deserves to be on many a Nikon shooter's shopping list.
Nikon AF-S DX 35mm f/1.8 G Lens
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“ This lens produces finely detailed images at all apertures, focuses quickly and accurately, and handles well in a small, light package.”
- 35mm focal length
- 52.5mm equivalent focal length on DX cameras
- F1.8 maximum aperture; F22 minimum
- Ultrasonic-type AF motor with full-time manual focusing
- 52mm filters
- 0.30m/11.81" minimum focus
- Nikon F mount for for DX DSLRs
|Lens type||Prime lens|
|Max Format size||APS-C / DX|
|Focal length||35 mm|
|Lens mount||Nikon F (DX)|
|Number of diaphragm blades||7|
|Minimum focus||0.30 m (11.81″)|
|Motor type||Ring-type ultrasonic|
|Full time manual||Yes|
|Focus notes||internal rear focus|
|Weight||210 g (0.46 lb)|
|Diameter||70 mm (2.76″)|
|Length||53 mm (2.07″)|
|Materials||Plastic barrel, metal mount|
|Filter thread||52 mm|
|Hood product code||HB-46|
Scoring is relative only to the other lenses in the same category at the time of review.
|Ergonomics and Handling||
The 35mm F1.8G DX delivers impressive performance. It produces finely detailed images at all apertures (although with somewhat low contrast wide open), focuses quickly and accurately, and handles well in a small, light package. As such, it deserves to be on many a Nikon shooter's shopping list for its winning combination of high image quality, large maximum aperture and low price.
Everyday use on Nikon's DX-format APS-C DSLRs, where this sharp and inexpensive 35mm becomes a useful 'standard'.
Not So Good For
Top Lens without paying Top Dollar
This lens was originally bought in 2011, and having spent 2 years with it, I can safely say that 85% of my street images were taken with this lens. I love its large aperture, light weight, ease of use, fast AF and incredible sharpness. It already yields excellent image quality wide open, but stopped down to f/2.8 the sharpness is simply amazing. With my D7000, movement tracking is very good, with the AFS motor performing very well. However, I do tend to stick with the standard AF-single mode, ...
What a GREAT lens!
Just fantastic, walking arround inside and outside with just this one. Zoom with your feet, and take part of the scene... In the DX mount it makes a PERFECT 50 mm focal distance. Enjoy it, don't be afraid of buying this one.
Must have lens
Must have lens for photography enthusiast... Low light image quality is amazing...
Amazing Lens. Great for close ups with beautiful Bokeh affect. Problems: None at all. Will recommend.
how to shoot a timelapse using the video feature of nikon d7000 ?
i have seen lots of videos in youtube showing us on how to shoot timplase using the bulit-in intervelometer and then stacking those still images to create a time-lapse video. But is it possbile to directly shoot a timpelapse using the video mode ? I am using a Nikon D7000 with a 35mm f/1.8G lense for this case. Rgds, Soham
What should I buy? Flash or lens
Hello, I'm new to photography, I have a Nikon D5300 with the kit lens 18-55 VRII and I'm thinking of getting a nem lens ( 50mm or a 35mm) or a flash ( nissin di600) . I don't do any style of photography in partivular but I think the lens I'm going to use more and probably let my kit one behind and the flash I think will let me think more out of the box and get more creative. What do you guys think?
IMO while the lens might be more fun...everyone seems to be enamored with shallow depth of field and out-of-focus backgrounds...you would learn more and get more use out a flash. Continue Reading
+1 and agree! I use my (camera + zoom lens + flash) combo way more than the (camera + 50mm) combo. The 50mm on a D5300 is very limiting, but is a very good starter lens if you want to do portraits. Get the 35mm f/1.8 instead if you want something more versatile for street photography. Continue Reading
Used 50mm 1.8D lens and a Yongnuo 565EXII flash to try out both? http://www.amazon.com/Yongnuo-YN-565EX-Speedlite-Flash-Nikon/dp/B006R6TUJI https://www.keh.com/246573/nikon-50mm-f-1-8-d-autofocus-lens-52 Then save up for Sigma's 50mm 1.4 once you get hooked. Continue Reading
Nikon D3300 for professional photography?!
Hello everyone, I know that most professional photographers would use a full frame camera like the Canon 5D or Nikon D810, and maybe a crop like D7100 or Canon 70D But i wonder if i can use my D3300 for professional shooting like Weddings and events, specially combined with a 35mm f1.8 i noticed a very sharp images and i think maybe better than the 7100 and i think with proper on-flash it can take a very good images But i know it lacks alot of features and controls like professional cameras, but still wouldn't the customer care about the image quality above all?!
I would say you need a lot more experience than a camera. My feeling is that you should forget weddings completely for several years. Get any DSLR and learn some photography skills, mos important of which is composition and light. The cost of setting up as a wedding photographer makes the cost of the camera a minor detail. It's a business and like all businesses the tools are only a small part of the cost and the photography a surprisingly small part of the business. Continue Reading
Could it be used for a pro wedding shoot ? Yes. Should it be used for a pro wedding shoot ? No. There are three main reasons it should not be used : (1) Inadequate controls. Weddings are stressful, high demand events to shoot and you need a lot of key controls easily accessible. The D3300 does not have all the control I'd want and many of those controls are buried in menus, which is no place to go looking at a wedding shoot. (2) Viewfinder inferior. It's a wedding, often in challenging lighting. The OVF on the D3300 is based on a penta-mirror and inherently these are not as bright as "proper" penta-prism OVFs. Continue Reading
Professional simply means someone is paying you. Now you could make a pinhole camera from a biscuit tin and get someone to pay you for your photos, and you're a professional using a professional camera! The hard part of doing a wedding say, is IHMO dealing with the people, and stress, of the day. You have to be quick, you have to get the photos the customers want, you have to herd the guests in or out of your shots, you have to get them to look good on camera, you need the people to like you, you need to make it fun! On top of all that you have to be able to operate your chosen equipment without much thought at all, it should be second nature. You need cameras/lenses which will simply deliver the goods each time. You want them to be sturdy and reliable. Same goes for any accessories you're using. And you need back-ups, ideally 2 bodies, 2 equivalent lenses and the other stuff like powerful flash, reflectors etc. The equipment is important, but in the order of things it's probably ... Continue Reading
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- Nikon AF-S 35mm f/1.8 DX lens
- HB-46 Bayonet Lens Hood
- LC-52 Snap-On Front Lens Cap
- LF-1 Rear Lens Cap
- CL-0913 Soft Case
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